Why Preach the Gospel?

Bright Blessings this Sunday!

We The People Stimulus Package

Obviously I don't agree with all of this, but I thought it was well done and the guy makes quite a few great points.

Powerful Ad

Evidently banned in Australia.

Props to Obama

For ending Justice Department raids on medical marijuana distributors:

Obama Administration to Stop Raids on Medical Marijuana Dispensers

By DAVID JOHNSTON and NEIL A. LEWIS
Published: March 18, 2009

WASHINGTON — Attorney General Eric H. Holder Jr. on Wednesday outlined a shift in the enforcement of federal drug laws, saying the administration would effectively end the Bush administration’s frequent raids on distributors of medical marijuana.

Well it's about time someone did this. I have many disagreements with our president, but in this I can only cheer. Props to you, Mr. President.

Now, it isn't perfect:

Speaking with reporters, Mr. Holder provided few specifics but said the Justice Department’s enforcement policy would now be restricted to traffickers who falsely masqueraded as medical dispensaries and “use medical marijuana laws as a shield.”

Now that's a door wide enough so they can call anything anything, but it's a start, and when someone starts doing a good thing, I will cheer it.

There's Always a Silver Lining

As an eternal optimist, I am hopeful that the one good thing that MIGHT come out of this economic mess is the removal of my Senator Chris Dodd from power.

He has been caught in a big lie:

Sen. Dodd Admits Adding Bonus Provision to Stimulus Package
Sen. Chris Dodd says Treasury forced him to add language to the stimulus bill last month that specifically excluded executive bonuses included in contracts signed before the bill's passage.

By Trish Turner

FOXNews.com

Wednesday, March 18, 2009

In a dramatic reversal Wednesday, Sen. Chris Dodd, D-Conn., confessed to adding language to a spending cap in the stimulus bill last month that specifically excluded executive bonuses included in contracts signed before the bill's passage.

Dodd told FOX News that Treasury officials forced him to make the change.

"As many know, the administration was, among others, not happy with the language. They wanted some modifications to it," he said. "They came to us, our staff, and asked for changes, and the changes at the time did not seem that obnoxious or onerous."

But the provision has become a flash point for criticism amid the controversy over $165 million in bonuses given out by AIG after securing more than $170 billion in federal aid. The language in the stimulus bill wasn't specific to AIG, but some have expressed outrage that it appears to have created a loophole.

Dodd said the argument put forward by Treasury was that a "flood of lawsuits" would come forward if the change was not made.

Dodd said he was unaware of the AIG bonuses at the time the bill was being written back in early February. He also said he has no reason to believe Treasury officials making the argument knew about the AIG bonuses.

When asked how administration officials have this kind of leverage over members of Congress, Dodd said, "The administration has veto power. ... No one suggested a veto to me, I don't want to imply that to you. But certainly that's not an insignificant tool."

On Tuesday, Dodd told FOX News that he didn't add the exemption.

"When the language went to the conference and came back, there was different language," he said then. "I can tell you this much, when my language left the Senate, it did not include it. When it came back, it did."

Now, getting caught lying for an old politician like Dodd is usually about as dangerous as getting caught drunk under the table at a Washington watering hole, but I am ever hopeful that THIS lie will be the one that does him in.

Few senators had as much of a hand in what went down with the mortgage meltown (the only possible exception is fellow New Englander Barney Frank of Taxachussets), but Dodd needs to be gone, yesterday.

Let us hope and pray that this is the beginning of the end of his lengthy, lousy career.

Now This Looks Like Fun!

This is part of the future I dreamed of as a kid! Where can I get me one of these babies?
Amazing New Water-Powered Jet Pack - Watch more Funny Videos

Harlan Ellison Sues Paramount

Harlan Ellison has long been one of my favorite writers, and is known for having crafted "The City on the Edge of Forever," easily one of the best Star Trek episodes.

I wish him luck in his endeavor. Here is the announcement:

FOR IMMEDIATE RELEASE

ELLISON SUES STAR TREK

Harlan Ellison, multiple award-winning writer of the famed teleplay for the original Star Trek episode, City on the Edge of Forever, sued Paramount on March 13, 2009 for failing to account to, or pay, Mr. Ellison for the merchandising, publishing, or any other exploitations, of the famous teleplay, from inception to date. The suit also names the Writers Guild of America and alleges the WGA failed to act on Ellison’s behalf after numerous requests.

Ellison’s City on the Edge of Forever (the memorable episode starring Joan Collins as salvation sister Edith Keeler, the woman Kirk loved and watched die; remember?) continues, 35 years after its original NBC airing, to receive critical accolades, and has become legendary as one of the all-time money-making commercial favorites: it won the coveted Writers Guild award for year’s best teleplay; it won the “Hugo” award of the World Science Fiction Convention; it was ranked as one of the “100 Greatest Television Episodes of All Time” by TV Guide in 1997 as part of its 50 year survey; it was “One of the 100 Most Memorable Moments in Television History” in the 29 June 1996 nationwide survey; and as recently as its 20-26 April 2002 issue, TV Guide celebrated Star Trek’s 35th anniversary featuring, of the hundreds of episodes since its debut, its 35 Greatest Moments!

Harlan Ellison’s City on the Edge of Forever was #2.

Mr. Ellison’s attorney, John H. Carmichael, points out that the 1960 collective bargaining agreement between the WGA and the Producers, as amended in 1966, assures to the writers of individual teleplays “a piece of the pie.” Specifically, Mr. Carmichael states, “Writers under that WGA agreement are supposed to get 25% of the revenue from the licensing of publication rights. From Dollar One. Here, Paramount licensed its sister-corporation Simon & Schuster, through its Pocket Books division, the right to publish a knock-off trilogy of paperbacks – the ‘Crucible’ series – novels based on City, using Ellison’s unique elements: plot, specific non-Trek characters, prominently including The Guardian of Forever, singular conceptual uses of time travel, the sense of tragedy that propels the story, the mood and venue of the story in the 1930s Great Depression, and at the stories’ heart, pivotally, whether Edith Keeler lives or dies. Not merely minor points or window dressing or name-changes. No, they are the body, heart, and guts of Mr. Ellison’s original creation – the best story Star Trek ever told.

“But even as flagrant in evidence as is this case, Paramount has gone tabula rasa. Paramount will not respond to any alleged Guild requests for an accounting. Not just for the books, but for much City-related merchandise, such as a Hallmark Christmas ornament of the “talking” Guardian of Forever actually using lines Ellison wrote for his script – obvious re-uses of Ellison’s singular creation, for which he should be compensated. Paramount will not send statements; Paramount will not admit anyone is owed anything; and even when the WGA requests an accounting, they are blown off with – ‘we’ll get back to you,’ which they don’t. And the WGA seems routinely to accept such cavalier non-responsiveness without a fight. Paramount will not permit examination, and will not open the books; perhaps for fear of loosing a Super-Accountant/Pandora on them, who will open holes in their duplicity. But the WGA is clearly unwilling to take action on Mr. Ellison’s behalf, and so we must seek intervention of the Federal Courts to ensure that the principles of the collective bargaining agreement are upheld. Mr. Ellison is singularly reluctant to sue his own labor union, of which he has been a 47-year member, a valued public spokesman, and where he has twice served on its Board of Directors. In this fractious matter, Mr. Ellison is only asking for one U.S. Dollar from his Guild. But he wants a judicial determination as to whether the WGA is doing what its stated purpose has been since day-one! To fight and negotiate for him and other writers. To obtain misappropriated, withheld, hidden earnings, no matter how minuscule or difficult to retrieve – but HIS, nonetheless. These are intended, true, benefits from earlier WGA bargaining agreements. But after waiting patiently either for the Guild to move against dismissive Paramount, or for Paramount to have a brain-flare of honesty or integrity, these huge sums due continue to be dumped into the studio’s ever-hungry maw. Mr. Ellison wants every penny of his long ago agreed-upon share of the revenue from Paramount’s relentless Trek exploitations, which have been unbelievably, financially remunerative in demonstrable measure as a result of Mr. Ellison’s significant contribution to the original Star Trek series.” Carmichael highlights: LA Times, 28 July 2007: “Paramount DVD sampler collects favorite episodes from all five Star Trek TV series.” The one starring Captain Kirk, Wm. Shatner’s pick as his favorite, is Ellison’s City on the Edge of Forever. (And see Ellison’s “Pay the Writer”–299,000 hits during the recent strike.)

Says Mr. Ellison of the suit: “To quote Gandhi: ‘First they ignore you, then they ridicule you, then they fight you, then you win.’

“And please make sure to remember, at the moment some Studio mouthpiece calls me a mooch, and says I’m only pursuing this legal retribution to get into their ‘deep pockets,’ tell’m Ellison snarled back, ‘F- - - -in’-A damn skippy!’ I’m no hypocrite. It ain’t about the ‘principle,’ friend, its about the MONEY! Pay Me! Am I doing this for other writers, for Mom (still dead), and apple pie? Hell no! I’m doing it for the 35-year-long disrespect and the money!

“The arrogance, the pompous dismissive imperial manner of those who ‘have more important things to worry about,’ who’ll have their assistant get back to you, who don’t actually read or create, who merely ‘take’ meetings, and shuffle papers – much of which is paper money denied to those who actually did the manual labor of creating those dreams – they refuse even to notice...until you jam a Federal lawsuit in their eye. To hell with all that obfuscation and phony flag-waving: they got my money. Pay me and pay off all the other writers from whom you’ve made hundreds of thousands of millions of dollars...from OUR labors...just so you can float your fat asses in warm Bahamian waters.

“The Trek fans who know my City screenplay understand just exactly why I’m bare-fangs-of-Adamantium about this.”

When Mr. Ellison calmed down, he continued, soberly, “They maintain fortresses staffed and insulated with corporate and legal Black Legions whose ability to speak fluent bullshit is the ramadoola of gyrating, gibbering numbers via which they cling to every dollar. And when you aren’t getting paid for the marvels you helped bring forth -- fine, hard, careful artifacts that are making others pig-rich -- at some point any sane person knows he has three, and only three choices: the first is to sit around dinner parties and ceaselessly whine over your sushi about how they screwed you, boo hoo, but you can’t beef about it Out There in the World or they’ll blacklist you; the second is to pick up an Uzi somewhere, crash your SUV through a Studio gate, and just run amok; and the third, last, choice is this one – to act like an adult, to take ‘em on in Federal Court and to make the greedy, amoral bastards blink blood out of their eyes. What they do is tantamount to common street-thug robbery... just add the pig-rich Madoff-style smoothyguts attorneys.

“And I learned today that the Actors Guild is having to fight, right now, just to maintain the very concept of residuals as part of their agreement with the Producers. So I am happy as a centipede-with-track-shoes that this infamous behavior, arrogantly ignored for too damned long, is timed to call attention to the degree to which the creative cadres in this business are getting parboiled and served up in a dog-dish! The part of this imbroglio that truly dismays me, is that my once-tough, beloved Guild – my UNION – that got massively screwed when it let the Alliance scare the slacker-gen dolts into thinking not losing a job meant ‘just bend over and grin,’ – if one’s own damn Guild won’t help you, – when you’ve entreated them for months – then hell, you’ve got no choice but to raise the skull and crossbones, hone the edge of your demon attorney, and just start cutting off noggins and nuts.

“Cowardice is like parrot fever in this town; I think there are writers and other artists who revel in being bitch-slapped, in being pilfered on a regular basis, as if they were artistic trailer-trash! And if the WGAw isn’t going to watch my back – and I’ve been their loyal hit-man, pit bull, and go-to guy for 47 years – I dread the possibility that the timorous Guild won’t raise the bloody axe for other artists, writers, actors...saner and less pissed-off than I. So you can tell’em I’m coming!”

There were flecks of blood on Mr. Ellison’s otherwise charming face.



Contact: John H. Carmichael, Esq. (949) 829-9743

ELLISON v. CBS-PARAMOUNT, Inc.

WRITERS GUILD OF AMERICA

U.S. DISTRICT COURT FOR THE CENTRAL DISTRICT OF CALIFORNIA

CASE #: CV09-1777, filed March 13, 2009

JUDGE: The Honorable Christina A. Snyder